Surnames are just as important as given names. So, I compiled a list of the websites I use to find my surnames.
- English Surnames
- Dutch Surnames
- Spanish Surnames
- Scottish Surnames
- German Surnames
- Italian Surnames
- Irish Surnames
- French Surnames
- Scandinavian Surnames
- Welsh Surnames
- Jewish Surnames
- Surnames By Ethnicity
- Most Common Surnames in the USA
- Most Common Surnames in Great Britan
- Most Common Surnames in Asia
Both “persons" and "people" are the plural of "person.”
Although the two words can be used interchangeably, there is a lot of confusion regarding their usage.
- These days, we are only likely to come across “persons” in legal contexts, e.g., “The victim was killed by person or persons unknown.”
- Now, regardless of whether we can count how many individuals there are, we use “people” far more often than “persons.”
- "Peoples" is used to describe the men, women, and children of a particular nation, community, or ethnic group, e.g., "the indigenous peoples of Canada.”
defining relative clause
non-restrictive relative clause
part of speech
restrictive relative clause
You can break down each character’s goals into three types: professional, private and personal.
‘Professional’ refers to the job that needs to be done. A monster has to be killed, a treasure has to be found, a wedding has to take place etc. This physical goal drives the main story and gives the hero something to do.
‘Private’ is something that characters want for themselves. It may not be the main focus of the story as it doesn’t necessarily affect other characters, but a character that only acts out of pure altruism and self-sacrifice is both unrealistic and a little annoying.
‘Personal’ is more about the psychological needs of the character. Whatever flaws or hang-ups the character might have (and he should definitely have some), there will have to be a resolution or understanding reached at some point in the story. This aspect is often the most rewarding and satisfying in a novel, but also risks being the most clichéd and obvious.
These three elements are often very closely linked and intertwined, but they can also be very separate. Both approaches have their advantages and their disadvantages.
maybe i wear lipstick so that
you will see my pretty pink mouth
wrapping around a coffee cup lid
and be distracted enough not to notice
that i am intelligent and powerful;
maybe i draw my brows into high arches
so you will look at my unimpressed skepticism
and overlook my spiteful glare
as a trick of my silly, girlish routine.
maybe i wear my heels so high and thin
so that i grasp your attention with the sway of my hips
as i listen to the click-clack-click against the floor
and know that if you should try to overpower me
i walk on sharpened knives.
maybe when i laugh at your worthless jokes
i am really baring my fangs
waiting patiently for the day
that i sink them into your neck.
i am not made of porcelain pleasantries;
you will find that these things are my armor
to keep you at a distance
so you do not step on me and shatter
my fragile control.
i am not a husk — i am not wilting.
i am turning my head
so that the fire blazing through my eyes
does not catch on the accelerant of your sweaty palms
and burn your bones to dust.
i am not your pretty girl;
i am a fury, a faerie, a phoenix —
a forest of werewolves and wendigos
that will carve out your chest
so that the next time i paint my pretty pink lips
i will taste the copper tang of your dying breaths."